Showing posts with label Amy Winehouse. Show all posts
Showing posts with label Amy Winehouse. Show all posts

Saturday, July 23, 2011

Amy Winehouse

If you haven't heard, Amy Winehouse passed away.

I am a huge fan of her work. She injected the type of emotion into her music that I aspire to with my own art. After you read this post, look for a particular video of her singing "To Know Him is to Love Him," live in the studio. It was a heartbreaker on July 22. She was found dead on July 23rd.

Much like my Lady Gaga piece, seen elsewhere on this blog, I wanted to paint her as an individual, like anyone you might see on the street. Someone you, the viewer can relate to, rather than a celebrity who lives on another plane of reality from you and me.

There are the hallmarks, present, that make her Amy, such as the dramatic eye treatment, tattoos, monroe, and mane of hair, but it's also just a beautiful human face, not far removed from you or someone you know.

I felt black and white was an appropriate palette, for its starkness and the way it forces one to consider the forms and marks without the added variable of color.

Plus, her style was very noir, dark, and moody. I thought black and white would reflect this, nicely.

A portrait of Amy wouldn't be complete without alluding to her troubled ways. I chose to do this through a sense of raw energy as well as fragility within the brush strokes.

A distant look in her eye rounds out the story.

RIP, Amy.

Allan Burch is an award-winning illustrator and portrait artist, providing solutions for editorial, book, advertising, and institutional projects.
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Saturday, September 1, 2007

Amy Winehouse


Amy Winehouse has such descriptive features--great eyes and full lips that distinctively and uniquely curve upward at the corners, punctuated with a Monroe -- not to mention her wild mane of hair. Her back-story is a bit troubled and she's been in the news recently canceling shows while they try to make her go to rehab.

I wanted to capture her edge and accentuate her lines to create something interesting. I exaggerated the posture, giving extra sway in her back, letting her left arm hang straight down. The bold energetic strokes and color are two things I'm experimenting with at the moment, and I think they compliment her.

After doing the monotone "underpainting" with acrylic, I take the art into the computer where I adjust my tones, apply color, and refine detail. This process lets me hang on to the spontaneity of the underpainting and affords me the ability to experiment with anything--color, tone, texture--without fear of losing any of that energy and spontaneity. I think it's a process that's added a dimension to my work, provided me greater flexibility, and allowed me to complete my illustrations quicker. This piece was uncommissioned.

Maybe the best quote I've heard so far about her Back to Black album, from itunes:

"This album is so good it makes me want to punch somebody."

(an AMAZING song)


face detail